比起同类民俗恐怖片靠跳吓和邪灵造型博眼球，《哀神》的恐怖感更像一块浸透冷水的旧布，慢慢裹住你的呼吸。豪梅·巴拉格罗嘛，就是那种不靠突然尖叫吓你，而是慢慢让你后背发凉的导演。导演豪梅·巴拉格罗放弃了廉价Jump scare，转而用潮湿阴暗的公寓走廊、反复出现的病态油画，以及女主角越来越空洞的眼神，慢慢织成一张让人喘不过气的网。 ❀。适合那些对jump scare过敏、却愿意在慢火炖煮的心理学恐怖里品出余味的观众。艾斯特·爱珀斯托几乎全片都处于沉默状态，只用眼睑的颤动和呼吸节奏的变化传递角色逐渐瓦解的过程；Ángela Cremonte的肢体语言则藏着一个关键反转的伏笔。

　　When go-go dancer Lucía nicks a fortune in designer drugs from her mafia employers, the mobsters’ dogged pursuit forces her to seek sanctuary with her estranged sister Rocío and niece Alba in “The Venus,” a decrepit apartment complex on the outskirts of Madrid. As terrible, rotten, no-good luck would have it, Lucía soon finds herself sole guardian to little Alba after Rocío suddenly flies the concrete coop, unable to handle the supernatural stress of living in a monolith that is apparently also host to a malignant evil — one that invades its tenants’ waking nightmares.
　　Taking a few cues from H.P. Lovecraft’s “The Dreams in the Witch House,” "Venus" piles on the blood and bombshells like a double bill of "Demons 2" and "The Sentinel".
　　源自：https://poff.ee/en/film/venus/

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