伊利亚·卡赞在《宝贝儿》中延续了其擅长的封闭空间戏剧张力，将摄影机对准密西西比河畔一座破败庄园，用大量中近景镜头捕捉角色之间微妙的权力博弈。这片子适合那些不急着看故事结局、愿意跟角色一起难受的观众。
卡赞用近乎舞台剧的紧凑结构，把欲望、贫穷和南方人的执拗拧成一根浸了汽油的绳子。适合对舞台改编电影、南方哥特风格以及用空间刻画心理的观众。影片不靠俏皮话堆笑点，而是用人物在破屋里互相折磨又无法分开的荒诞处境，自然带出黑色幽默。埃里·瓦拉赫的闯入更是让局面绷到了极点，笑点全藏在眼神和沉默里。
Living in Tiger Tail County, Mississippi, middle aged Archie Lee Meighan and nineteen year old Baby Doll Meighan née McCargo have been married for close to two years. Their marriage is not based on love, but each getting what they want from the other. Their marriage agreement has them consummating their marriage on her twentieth birthday, which is in three days, the act to which Baby Doll is not really looking forward. But she does taunt him and other men with her overt baby doll sexuality, the baby doll aspect which she fosters by sleeping in their house's nursery in a crib. Baby Doll's now deceased father allowed the marriage on the stipulation that Archie Lee provide Baby Doll financial security as displayed by the most resplendent house in the south. They currently live in a dilapidated mansion with her Aunt Rose Comfort, and although Archie Lee is making some renovations on it, he no longer has the financial means to make it what Baby Doll wants as his cotton ginning ... Written by Huggo相关搜索：
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