这部1982年的改编作品把克里斯蒂的英式田园悬疑做出了令人不安的调子。
惠特姆太会拍“日常惊悚”了——没有血浆飞溅，却把英格兰乡村那股子“彬彬有礼的恶意”拍得渗人：牧师家的下午茶时总有人欲言又止，邻居老太太的花篮里藏着打听隐私的眼神，连村口的老磨坊都像架着台沉默的记录仪，把每个隐秘的窥探都磨成了细沙。这种带着点黑色幽默的悬疑感，比起单纯吓人更耐人寻味。
若你厌倦了美式惊悚的感官轰炸，想在舒缓的节奏里拆解“普通人如何成为凶手”的人性褶皱，这部电影会是场安静的智力游戏：它不喂你答案，只递来一把钥匙，让你在惠特姆布下的“日常谎言”中，自己拼出真相的形状。喜欢慢热型惊悚、爱挖人性阴暗面细节的，或者单纯想看看老演员怎么用眼神飙戏的，这部绝对戳中；要是急着看爆头特效的就算了，这片子的“吓人”是渗进骨头的——看完会忍不住回头看两次冰箱里的灯。比尔·贝克比把那种被命运捉弄的无奈演得恰到好处，而海伦·海丝饰演的马普尔小姐更是全片定海神针，她看似漫不经心的闲聊，实则步步为营，那种不动声色的智慧比任何激烈的推理都过瘾。
A mathematician and author, Luke Williams, is travelling up to London on a train when he meets a old lady, Lavinia Fullerton, who is also going to London, to Scotland Yard. Lavinia tells Luke that in her small village several people have died. The local police are certain that it was all accidental and are taking no action but Lavinia isn't convinced. In London Luke watches, horrified, as Lavinia is run over in a hit and run and he becomes convinced that she was telling the truth. He travels down to the village and with the aid of a local girl, who is also convinced that the deaths were murder, sets out to solve the mystery.相关搜索：
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