比起许多同类“淑女生活片”或青春成长片只展示单一路径的顺遂，《大地的女儿》没有让主角蕾切尔在穿上晚礼服后直接嫁给王子。对于痴迷心理惊悚或追求叙事迷宫的影迷而言，这绝非猎奇之作，而是冷静剖析人性在荒原中如何异化的严肃文本。剧情在阴郁孤寂的海岸线上缓缓铺开，镜头随着主角的脚步，将焦距从幽闭的恐惧一点点转移到开阔壮阔的大海。**这种叙事上的“失语”与“消隐”，反而迫使观众不再去关注女主角曾经的容颜，而是真正去凝视她破碎灵魂的韧性。 ☁。看到电影里她们在田野上奔跑、大笑，再回头看现在各自为了生计变得小心翼翼的样子，心里真不是滋味。

　　"Daughters of the Dust" tells the story of a family of African-Americans who have lived for many years on a Southern offshore island, and of how they come together one day in 1902 to celebrate their ancestors before some of them leave for the North. The film is narrated by an unborn child, and ancestors already dead also seem to be as present as the living.

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