这部电影最妙的地方在于——它用一种近乎纪录片般的粗粝质感，把意大利战后复兴期的荒诞与无奈拆解得淋漓尽致。适合那些厌倦了工整叙事、愿意在历史碎屑里辨认人性痕迹的观众。如果你期待故事会给出答案，这部片只会递给你更多问题。它不卖弄悲情，反而在嬉笑怒骂间透着对历史的深刻洞察。最动人的是蒂娜·露易丝演的美国女子，她不说“我懂你的痛苦”，只在雨夜举着一把黄油伞，陪失业的弗朗科·英特朗吉走了三条巷弄，雨丝落在伞骨上的声音，比任何台词都像一封没寄出去的信。 演员都像从街坊里拽来的：保罗·斯托帕的出租车司机爱跟乘客瞎掰，眼神里全是藏不住的潦倒；蒂娜·露易丝演的美国大兵之女，穿件洗得发白的牛仔裙走在威尼斯小巷，连背影都带着种“没处落脚的温柔”。

　　The film shows how Italy's historic national hero Giuseppe Garibaldi (embodied by Renzo Ricci) leads a military campaign known as Expedition of the Thousand in 1860 and conquers Sicily and Naples. When the Bourbon monarchy has left Southern Italy, he supports Victor Emmanuel II of Italy who achieves a lasting unification under the aegis the House of Savoy.
　　Roberto Rossellini stated he was very more proud of this film than of any other film he ever made.

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