《布查》是导演Tiunov极具实验性的影像探索，摒弃传统线性叙事，大量使用手持镜头与私密独白，营造出一种如梦似幻又令人不安的心理迷宫感。马歇尔导演用一种近乎行为艺术的表演，将故事压抑到了极致，让你在看片过程中呼吸都跟着紧绷。这种叙事手法迫使观众直面战争的残酷，将破坏的惨状具象化。剧情虽平淡，却像生锈的锯子，缓慢锯开人心，那份静默的力量最揪人。演员没用力演，却让观众浑身发抖——尤其是母亲抱着孩子在废墟里奔跑的戏，沉默比尖叫更刺耳。没有宏大叙事，全靠特写捕捉人皮上洗不掉的放射性尘埃，叙事质感硬核又沉重，让人喘不过气。

　　Konstantin Gudauskas is a Jew born in Kazakhstan, but received political asylum in Ukraine.  After the Russian invasion begins on 24 February 2022, he is able to travel freely to the occupied territories and evacuate civilians from there thanks to his Kazakh passport. During the next months he saves 203 people by taking them out of the occupied territories. Konstantin observes firsthand the horrors of war and the atrocities of the Russian occupation. Throughout this time he is advised and guided by a woman, Haide Rizaeva, a Crimean Tatar, employee of the Main Intelligence Directorate.

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