《开麦拉狂想曲》质感粗粝，充满强烈的黑色电影氛围。阿伦·阿尔达的表演简直是神来之笔，那种对名利场患得患失的神经质感演活了。尤其是关于“剧本至上”的深刻探讨，既好笑又心酸。杰米·李·柯蒂斯和约翰·特拉沃尔塔贡献了极其迷人且充满爆发力的表演，两人之间的化学反应堪称全片核心。影片没有老套的说教，而是把镜头对准了好莱坞名利场的虚荣与荒诞，节奏紧凑，既让人捧腹大笑，又让人不寒而栗。
如果你爱看那种在名利场里摸爬滚打，最后搞得一团糟的黑色故事，或者单纯喜欢看迪西罗那种冷静得让人发抖的叙事节奏，这部绝对值得翻出来细品。
A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about. Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.相关搜索：
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