故事是这样的:一位在洛杉矶独自抚养儿子的伊朗裔父亲琼恩,平日里靠开出租谋生。剧情没啥大起大落,但父子之间那些沉默、争吵、笨拙的和解,看得人心里一揪一揪的。导演采用克制而精准的镜头语言——大量固定机位与中近景的推拉,将父子情感拉锯置于移民家庭的文化断层中。纳维德·内加班把那种“想给孩子最好一切,却什么都不敢给”的窘迫演活了——他给儿子系鞋带时手指会微微发抖,接催债电话时会走到窗边背对镜头吞口水。
影片像一幅被水洗过的老照片,大量使用自然光和固定长镜头,杂货店里落灰的罐头、冰箱嗡嗡的震动声,都成了角色无声的台词。导演没搞什么花哨的转场,就是老老实实拍那些琐碎的日常——父亲在院子里修水管、儿子站在门口发呆,镜头就那么稳稳地对着,可你越看越觉得心里发酸。
Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family tradition. But Moti doesn't like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti's mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak takes Moti's refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable. Written by Yuval Delshad相关搜索:
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