嘿，最近翻到一部1925年的法国老片《红发》，导演是朱利安·杜维威尔。可导演偏不拍她哭喊反抗，只让你看到她坐在窗边发呆，手指无意识地绞着衣角。它没有表现主义刻意扭曲的视觉符号，而是以“朴素”成为锐度。全片没有大吵大闹，但每个眼神、每句台词都扎心。
这部默片摒弃了浮夸的配乐煽情，转而用大量象征性的镜头语言：红发在阳光下像一团燃烧的火焰，在月光下又似暗沉的血迹。
这部默片没有炫技的剪辑，全靠演员的表情和身体撑起情绪——Charlotte Barbier-Krauss饰演的母亲，当她那双粗糙的手颤抖着抚摸孩子的红发时，你几乎能透过银幕感受到她掌心的温度与内心的挣扎。
Julien Duvivier最好的作品之一也是他认为自己所有默片中最喜欢的一部。 Summary Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear... Review Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte. The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.相关搜索：
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